The Gibson J-200 first showed in the American music arena around 1937, in the period that had been known as "the golden era" of American acoustic guitars. The Gibson J200 has been approximately for more than 70 years and also is 1 of the most famous flat-top acoustic guitars ever produced.
The Gibson J200 also one of the largest, approximately a full 17" throughout the lower fight, and as a benefit generates much more sound level as compared with a normal sized guitar.
The Gibson J-200 Standard
Upon the launch on the late 1930s, the Gibson J-200 instantly crammed a require for a better, much more balanced and strong sound. This presented purveyors of the fresh American music scene of the 1930s a reliable, well-built musical instrument, competent of projecting the sound of the guitar well beyond that of any kind of other acoustic on the marketplace, a reality which still holds true at this time.
Gibson J200 standard only the most popular acoustic guitar in the world, and definitely one of the most famous, as indicated by the number of players who have made J-200 Standard most important acoustic musical instrument, including Emmylou Harris, Ray Whitley, Gene Autry, Roy Rogers, Pete Townshend, and Gram Parsons.
Gold Grover Rotomatic Tuners
Grover’s original Rotomatic tuners are an technological innovation brilliant, using design and functionality precisely suitable for the Gibson J200 Standard. having a gear ratio of 14:1, the Rotomatics supplied precision tuning in a durable housing that will gives max protection for the gear and string post. All of moving components are cut for accurate meshing, getting rid of the probability of slippage. A countersunk tension screw enables guitarists manage the tuning tension to any level. Special lubrication inside of the gear box gives easy and accurate tuning balance.
Crown Peghead Logo in Gibson J-200 Standard
On the headstocks of an ES-300 in 1940, Gibson first set up the peghead crown logo. And since then Gibson has graced the headstocks of many number of gibson guitars are legendary, including the Gibson J200 standard. Logo is also known by the name "thistle" because that logo is a picture collection of flowering plants with sharp thorns. However, Gibson prefers to call logo is a “crown”.
Pickguard Gibson J-200 Standard
The tortoise pickguard for the J-200 Standard is Gibson’s standard Super Jumbo shape. With traditional designs of flowers and the vine that carved by hand and around the limit by a cream color with dots of yellow and orange.
Rosette
Circular craft around soundhole is so beautiful, the most ornamental elements and also one of the most decorated smooth and elaborate on wood in any acoustic guitar. The rosette on the J-200 Standard is a double-ring rosette, with the main ring composed of seven-ply binding, and the 2nd ring three-ply binding, bringing in a stylish modest luxury to the Gibson J200 Standard.
Fingerboard of Gibson J-200
Fingerboard is made of wood are highly qualified, who has been through the process of examination and have fulfilled the conditions needed in the manufacture of guitars Gibson by Gibson team of skilled experts. Because it ‘s made of wood the best option, then the resistance of the wood will last a long time that makes the fingerboard extremely draws and stable. Giving chords and notes a good clarity and unmatched. The J200’s graduated crown inlays is really made of real mother of pearl, and are put in the fingerboard utilizing a process that removes gaps. The fingerboard also facilitates a rolled edge-instead of the standard right angle where the fingerboard surface area meets the neck, Gibson acoustic’s rolled edge is a bit beveled for an very smooth and comfy feel, improving the playability of the Gibson J200 Standard.
Body Tonewoods (back, sides and top) Gibson J-200 Standard
The back and sides of the Gibson J200 Standard is built from AAA-grade Eastern curly maple, while the top of J-200 Standard are created from wonderful AAA-grade Sitka spruce, making the J-200 Standard a vivid and crispy tone. Choosing the best wood, and the method to dry it out, are 2 of the most central methods to Gibson’s guitar-building process. Starting with its 1st catalog in 1903, Gibson has guaranteed its consumers that each guitar will be constructed using woods with “the most long lasting, flexible, and sonorous qualities”.
Fishman Ellipse Aura Electronics Package
Gibson’s J200 Standard a built-in Fishman Ellipse Aura electronics bundle, that mixes Fishman’s most advanced onboard preamp pattern which has the power of the most popular Aura Acoustic Imaging technologies. The result is acoustic sound which is extremely correct plus accurate. Already loaded on the system are 4 images which very best suit the instrument’s pure tonal characteristics. you can also make} changes to any of them using the system’s Pickup/Image Blend or Volume controls, or even make use of the switchable Natural I and Natural II low frequencies for tone shaping. you may also manage feedback using the Phase switch and automated Anti-Feedback device control. The pickup's ergonomic soundhole-mounted style places slider handles at your fingertips to help you keep a natural playing position at all times.
Bracing Gibson J-200 Standard
Each acoustic guitar created by Gibson features hand-scalloped, radiused top bracing inside the body, a element usually found just in limited run, hand-made guitars. By scalloping every brace by hand, the pure sound of the acoustic is concentrated more toward the middle of the body, improving the instrument’s sound projection. The lightweight bracing pattern inside the Gibson J200 Standard, the same pattern used in Gibson’s first Super Jumbo in 1937 is built to help support and reinforce a extremely big surface area, therefore enabling the top more freedom of motion to vibrate and project sound. The position of the braces within the Gibson J-200 also results in powerful, deep lows with total frequency range, creating the extremely balanced.
